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"Good Old Mountain Dew" (ROUD 18669), sometimes called simply "Mountain Dew" or "Real Old Mountain Dew", is an Appalachian folk song composed by Bascom Lamar Lunsford and Scotty Wiseman. There are two versions of the lyrics, a 1928 version written by Lunsford and a 1935 adaptation by Wiseman. Both versions of the song are about moonshine. The ...
According to the co-writer and longtime group member Bob Gaudio, the song's lyrics were originally set in 1933 with the title "December 5th, 1933", celebrating the repeal of Prohibition, [6] but after the band revolted against what Gaudio would admit was a "silly" lyric being paired with an instrumental groove they knew would be a hit, [7] Parker, who had not written a song lyric before by ...
Temperance songs are those musical compositions that were sung and performed to promote the Temperance Movement from the 1840s to the 1920s. It was a distinct genre of American music . In the early 19th century, the yearly per capita consumption of alcohol in the US was as high as 3.9 gallons (14.8 liters) in the 1830s. [ 2 ]
Bob Dylan songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the civil rights and anti-war movements in the 1960s. A protest song is a song that is associated with a movement for protest and social change and hence part of the broader category of topical songs (or songs connected to current events). It ...
[5] The song is also associated with the Repeal of Prohibition, which occurred shortly after Roosevelt's election where there were signs saying "Happy days are beer again" and so on. [6] Matthew Greenwald described the song as "[a] true saloon standard, [and] a Tin Pan Alley standard, and had been sung by virtually every interpreter since the ...
Porcelain image of John Barleycorn, c .1761. The first song to personify Barley was called Allan-a-Maut ('Alan of the malt'), a Scottish song written prior to 1568; [3]. Allan is also the subject of "Quhy Sowld Nocht Allane Honorit Be", a fifteenth or sixteenth century Scots poem included in the Bannatyne Manuscript of 1568 and 17th century English broadsides.
The second influential book about African-American spirituals was the 1872 collection Jubilee Songs as Sung by the Jubilee Singers of Fisk University, by Thomas F. Steward, comprising songs sung by students of Fisk University on their fund-raising tours throughout the county, arranged and harmonized according to 19th-century classical music ...
The text borrows phrases from several well-known English songs, yet it follows the American tradition of glorifying moonshiners as folk heroes during Prohibition. [2] The most explicit praise of their bootlegging comes in the blessing of the moonshiners, which is often omitted in American performances.