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Violator reached number 17 on the Billboard 200-year-end chart of 1990, [42] and was the first Depeche Mode album to sell a million copies in the United States. [ 41 ] The success of Violator introduced the band to a wider audience, and this increased exposure led to their 1993 follow-up album Songs of Faith and Devotion debuting at the top of ...
File:Depeche Mode - Tour of the Universe Barcelona.png; File:Depeche Mode - Touring the Angel - Live in Milan.png; File:Depeche Mode - Ultra.png; File:Depeche Mode - Violator.png; File:Depeche Mode - Wagging Tongue.png; File:Depeche Mode Everything Counts Live.jpg; File:Depeche Mode Everything Counts.jpg; File:Depeche Mode Live in Hamburg cover ...
The following is a list of notable artists that have recorded and officially released renderings of songs originally written by Depeche Mode. The list is organized alphabetically by song and then release year.
The first Depeche Mode album of the new millennium felt quieter and more restrained, despite what a title like Exciter may imply. The album’s muted sonic palette reflects the influence of the ...
For example, the fifth Depeche Mode single to follow this pattern, "People Are People", is identified with the code "BONG5", printed on the single's cover, spine and on the record or CD itself. The "BONG" designation is preceded with numbers or letters that indicate the format of the release, such as "7" for a 7" single, "CD" for a CD-single ...
"Policy of Truth" is a song by the English electronic music band Depeche Mode, released on 7 May 1990 as the third single from their seventh studio album Violator (1990). It is the only Depeche Mode single to chart higher on the US Billboard Hot 100 chart (number 15) than on the UK Singles Chart (number 16), and it became the band's second ...
"Enjoy the Silence" was recorded in 1989, part of the Violator sessions. [11] Typical for a Depeche Mode album, songwriter Martin Gore brought in demos of several songs for the band to hear, and had created a ballad-like demo of "Enjoy the Silence", which, at band member Alan Wilder's insistence, was re-worked into the up-tempo version of the song that was released.
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