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Source [2]. John Henry Hopkins Jr. organized the carol in such a way that three male voices would each sing a solo verse in order to correspond with the three kings. [3] The first and last verses of the carol are sung together by all three as "verses of praise", while the intermediate verses are sung individually with each king describing the gift he was bringing. [4]
We three kings of orient are One in a taxi, one in a car One on a scooter pipping his hoooter Didnt get very far. In Manchester UK, the above verse was sung with slightly different -but arguably better- lyrics: We three kings of orient are One in a taxi, one in a car One on a scooter beeping his hooter Following from afar. A slight variation is:
Pages for logged out editors learn more. Contributions; Talk; We Three Kings Of Orient Are
A simple smiley. This is a list of emoticons or textual portrayals of a writer's moods or facial expressions in the form of icons.Originally, these icons consisted of ASCII art, and later, Shift JIS art and Unicode art.
The Standard Music Font Layout , which is supported by the MusicXML format, expands on the Musical Symbols Unicode Block's 220 glyphs by using the Private Use Area in the Basic Multilingual Plane, permitting close to 2600 glyphs.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The Cat and the Mouse for piano (1920) Pastorale for voice (1921) Honkytonk Blues (1921) Three Moods for piano (1921) Four Motets for mixed voices (1921) Help us, O Lord; Sing ye Praises to our King; Have Mercy on us, O My Lord; Thou, O Jehovah, Abideth Forever; Piano Sonata (No. 1) in G Major (1921) Petit Portrait for piano (1921) Alone for ...
Stravinsky's goal in arranging Petrushka for the piano (along with Piano-Rag-Music) was to attempt to influence Arthur Rubinstein into playing his music. (A 1961 live recording featuring Rubinstein at Carnegie Hall was published in 2012.) [ 2 ] In order to gain the latter's attention, Stravinsky ensured that Rubinstein would find the ...