Search results
Results from the WOW.Com Content Network
spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
According to the violinist and conductor Angus Watson, these were probably Franz Weiss on viola and either Nikolaus Kraft or his father Anton on cello. [2] Each of the trios consists of four movements: Op. 9 No. 1: Adagio – Allegro con brio. String Trio No. 3 in G major, Op. 9 No. 1. I. Adagio - Allegro con brio; II. Adagio ma non tanto e ...
for 2 violins, viola, cello and piano: revised version in 3 movements Vocal: 50: 1905: Lean Close Thy Cheek against My Cheek: for voice and piano: words by Heinrich Heine: Vocal: 51: 1905: Fair Daffodils: for voice and piano: words by James Merrick: Piano: 52: 1905: Capriccio No. 1 in A minor: for piano: published by Augener: Chamber music: 53: ...
Movement 1 - Allegro con brio. While the movement initially sounds like ritornello form, it is actually in sonata form. Exposition: 1st Subject - bars 1-20 2nd Subject - bars 33-67. Development: The development section occurs between bars 68 to 128. Recapitulation: Both subjects are heard again, now both based in A. Coda; bars 194-232
Rules relating to the ranking of singers in opera (primo, secondo, comprimario) in 19th-century Italian opera, and the number of scenes, arias, etc. that they were entitled to expect. [2] The convenienze are referred to in the Donizetti opera Le convenienze ed inconvenienze teatrali. Coro: choir: Ensemble of singers Diva: divine one (fem.)
Concerto No. 4 in B-flat major for organ and orchestra: Con spirito – Minuetto – Giga. Concerto No. 5 in G minor for organ and orchestra: Largo – Allegro con spirito – Adagio – Vivace. Concerto No. 6 in B-flat major for organ and orchestra: Allegro moderato – Minuetto – Variations.
All three of Beethoven's Op. 2 piano sonatas contain four movements, an unusual length at the time, which seems to show that Beethoven was aspiring towards composing a symphony. [2] It is both the weightiest and longest of the three Op. 2 sonatas, and it presents many difficulties for the performer, including difficult trills, awkward hand ...
Allegro con spirito; Theme and variations: Cantabile; In the second quartet, the piano and the strings are equal partners. [2] It opens unusually with an Adagio assai movement. The second movement is in sonata form, in E-flat minor. Some elements seem to anticipate the last movement of the Piano Sonata No. 8, the Pathétique.