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Scottish art is the body of visual art made in what is now Scotland, or about Scottish subjects, since prehistoric times. It forms a distinctive tradition within European art, but the political union with England has led its partial subsumation in British art .
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John Lee (1779–1859) by John Watson Gordon. Henry Raeburn (1756–1823) was the first significant artist to pursue his entire career in Scotland. Born in Edinburgh and returning there after a trip to Italy in 1786, he is most famous for his intimate portraits of leading figures in Scottish life, going beyond the aristocracy to lawyers, doctors, professors, writers and ministers, [8] adding ...
After the First World War he gave up the life of a farmer to go to Edinburgh College of Art. Here he met the poet Hugh MacDiarmid who shared many of his political and artistic ideals. Together they formed the concept of the Scottish Renaissance to release the nation from its cultural poverty under a centralised British arts scene.
Viking art avoided naturalism, favouring stylised animal motifs to create its ornamental patterns. Ribbon-interlace was important and plant motifs became fashionable in the tenth and eleventh centuries. [45] Most Scottish artefacts come from 130 "pagan" burials in the north and west from the mid-ninth to the mid-tenth centuries. [46]
George Bain (1881–1968), art teacher whose writing revived interest in Celtic and Insular art; James Ballantine (1806–1877), artist and author; Penelope Beaton (1886–1963), painter; Jemima Blackburn (1823–1909), painter and illustrator; John Blair (c. 1849–1934), painter; Muirhead Bone (1876–1953), etcher; Phyllis Bone (1894–1972 ...
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Simson was born at Dundee in on 17 October 1799 and baptised there on 20 October 1799. His parents were Alexander Simson and Jean Wilson. [3] He studied under Andrew Wilson at the Trustees' Academy on Picardy Place in Edinburgh, and his early pictures of landscape and marine subjects found quick sales.