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Mosaic Tile. A backsplash featuring mosaic tile from Ann Sacks steals the show in a Richard Mishaan-designed kitchen in a TriBeCa building. The space also includes a custom island, range, and hood ...
[1]: 231 Jonathan Bloom cites the glazed tiles on the minaret of the Kutubiyya Mosque, dating from the mid-12th century, as the earliest reliably-dated example of zellij in Morocco. [14]: 26 The individual tile pieces are large, allowing the pattern to be visible from afar. Each piece was pierced with a small hole prior to being baked so that ...
[6] [65] The walls of traditional houses, if the owners had enough means, could also be adorned with characteristic stucco decoration and zellij tiles, and sometimes with Arabic calligraphy. [ 66 ] [ 67 ] Many richly-decorated mansions built by wealthy or bourgeois Moroccan families have survived in various states of preservation.
It may have been inspired or derived from Byzantine mosaics and then adapted by Muslim craftsmen for faience tiles. [65] In the traditional Moroccan craft of zellij-making, the tiles are first fabricated in glazed squares, typically 10 cm per side, then cut by hand into a variety of pre-established shapes (usually memorized by heart) necessary ...
Tadelakt (Moroccan Arabic: تدلاكت, romanized: tadlākt) is a waterproof plaster surface used in Moroccan architecture to make baths, sinks, water vessels, interior and exterior walls, ceilings, roofs, and floors.
Majorelle Blue is a clear, intense, fresh shade of deep blue.. Majorelle Garden, Marrakech. In 1924, the French artist Jacques Majorelle constructed his largest artwork, the Majorelle Garden in Marrakech, Morocco, and painted the garden walls, fountains, features and villa this very intense shade of blue, for which he trademarked the name Majorelle Blue. [1]
As with other traditional Moroccan structures, the interior decoration includes carved stucco, sculpted and painted wood, and zellij tilework. [2] [1] The central patio/courtyard, the wast ad-dar, is thus the centerpiece of the house. The size and craftsmanship of this interior space was an indication of the status and wealth of its owners ...
These include kilim carpets, Persian girih and Moroccan zellij tilework, muqarnas decorative vaulting, jali pierced stone screens, ceramics, leather, stained glass, woodwork, and metalwork. Interest in Islamic geometric patterns is increasing in the West, both among craftsmen and artists like M. C. Escher in the twentieth century, and among ...
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