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Dark Romanticism is a literary sub-genre of Romanticism, reflecting popular fascination with the irrational, the demonic and the grotesque. Often conflated with Gothic fiction , it has shadowed the euphoric Romantic movement ever since its 18th-century beginnings.
The poem has also been argued to be biographical: many scholars have suggested Shakespeare used the poem to discuss his frustrating relationship with the Dark Lady, a frequent subject of many of the sonnets. (To note, the Dark Lady was definitely not Shakespeare's wife, Anne Hathaway.) The poem emphasizes the effects of age and the associated ...
Shakespeare copies the female love in Petrarch's poetry with the beloved youth who is created, cherished, adored, and eternized. After the fair youth, the dark lady brings a completely opposite literary figure into play. The dark lady is both of a different gender and she displays aspects contrary to Laura.
The poem explicates Patton's theory that "one is reincarnated…with certain traits and tendencies invariable." [ 4 ] In it, Patton includes three constants in his conception of reincarnation: he is always reborn as a male; he is always reborn as a fighter; and he retains some awareness of previous lives and incarnations.
"On Raglan Road" is a well-known Irish song from a poem written by Irish poet Patrick Kavanagh named after Raglan Road in Ballsbridge, Dublin. [1] In the poem, the speaker recalls, while walking on a "quiet street," a love affair that he had with a much younger woman.
The poem tracks the ascent of a spirit into consciousness, catalyzed by the recurring appearance of "trembling presentiments of dark rhythms" that later transform into "bright presentiments of shining rhythms" as the spirit realizes the excitement of the struggle against them, contrasted with the "boredom, melancholy, and emptiness" felt after ...
Throughout the collection, the feeling of diminishment and loss is pervasive, whether in the visit of a cyclist to a church in the volume's best known poem, "Church Going," or in the alienation of the speaker looking at a photograph of a young lady, or in the man in "Toads" beaten by work into an imprisonment he then wills, or even in the "I ...
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