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Cleo Rocos (born 24 July 1962, [1] [2] in Rio de Janeiro, Brazil) [3] is a UK-based comedy actress, producer, presenter and businesswoman who starred alongside Kenny Everett on The Kenny Everett Television Show.
Bloodbath at the House of Death is a 1984 British comedy horror film directed by Ray Cameron and starring Kenny Everett, Pamela Stephenson and Vincent Price. [2] It is an over-the-top spoof loosely inspired by The Amityville Horror and other horror films of the era, including Alien, The Exorcist, Poltergeist, among others, concerning the investigation by a pair of scientists of a manor house ...
El Hijo del Pueblo (The People's Son) is the 1975 soundtrack from the film of the same name. [2] It was later released in the United States in 1991 and is the 25th best-selling Latin album in the country.
Editors at AllMusic rated this album 4.5 out of 5 stars, with critic Andy Kellman writing that this music contrasts with the diversity of Sault, being made up of "dusty and intimate R&B with gospel roots, switched up on occasion with dub, bossa nova, and acoustic blues among other naturally integrated sounds", continuing that the instruments are played with "sensitivity and purpose". [2]
O Tempo Não Para (English: Crashing Into the Future [3]) is a Brazilian telenovela produced and broadcast by TV Globo. It premiered on 31 July 2018, replacing Deus Salve o Rei, and ended on 28 January 2019, being replaced by Verão 90. It was created by Mario Teixeira in collaboration with Bíbi Da Pieve, Tarcísio Lara Puiati, Marcos Lazarini ...
El Súper is a 1979 Spanish-language comedy-drama film directed by Leon Ichaso and Orlando Jiménez Leal, based on a stage play by Iván Acosta. The film is a look at life in the U.S. from the perspective of frustrated Cuban exiles.
The Club (Spanish: El Club), is Mexican crime drama television series directed by Camila Ibarra and produced by Argos Comunicación. [2] [3] The series revolves around a group of rich young people who get involved, through an application, in drug trafficking until they get to have contact with much more powerful people and that's when they get into serious problems.
Bad Times at the El Royale grossed $17.8 million in the United States and Canada, and $14 million in other territories, for a worldwide total of $31.9 million against a production budget of $32 million. [109] A box-office bomb, its performance was credited to its runtime, competition, and R-rating from the Motion Picture Association. [110]