Search results
Results from the WOW.Com Content Network
Download as PDF; Printable version; In other projects ... Help. Musicals in which recitative takes the place of spoken dialogue for all or most of the show. See also ...
A sung-through stage musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. Conversations, speeches, and musings are communicated musically, for example through a combination of recitative, aria, and arioso.
Pages in category "American children's animated musical television series" The following 200 pages are in this category, out of approximately 215 total. This list may not reflect recent changes .
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria.
The term operetta arises in the mid-eighteenth-century Italy and it is first acknowledged as an independent genre in Paris around 1850. [2] Castil-Blaze's Dictionnaire de la musique moderne claims that this term has a long history and that Mozart was one of the first people to use the word operetta, disparagingly, [7] describing operettas as "certain dramatic abortions, those miniature ...
A spoken word album is a recording of spoken material, a predecessor of the contemporary audiobook genre. Rather than featuring music or songs, the content of spoken word albums include political speeches, dramatic readings of historical documents, dialogue from a film soundtrack, dramatized versions of literary classics, stories for children, comedic material, and instructional recordings. [1]
Opéra comique (French: [ɔpeʁa kɔmik]; plural: opéras comiques) is a genre of French opera that contains spoken dialogue and arias.It emerged from the popular opéras comiques en vaudevilles of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), [1] which combined existing popular tunes with spoken sections.
The opera libretto from its inception (c. 1600) was written in verse, and this continued well into the 19th century, although genres of musical theatre with spoken dialogue have typically alternated verse in the musical numbers with spoken prose. Since the late 19th century some opera composers have written music to prose or free verse libretti.