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The Cambridge Companions to Music form a book series published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher. [1] The first was published in 1993, the Cambridge Companion to the Violin. Since then numerous volumes have been published nearly every year, covering a variety of ...
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
The viola is a larger version of the violin, and has on average a total body length of 27 + 1 ⁄ 4 inches (69.2 cm), with strings tuned a fifth lower than a violin (with a length of about 23 + 3 ⁄ 8 inches (59.4 cm)). The viola's larger size is not proportionally great enough to correspond to the strings being pitched as they are, which ...
Demetrius Constantine Dounis (also Demetrios), also known as D. C. Dounis (Greek: Δημήτριος Κωνσταντίνος Δούνης; 21 December 1893 [1] – August 13, 1954), was an influential teacher of violin and string instrument technique, as well as violinist, violist, and mandolin player.
Ricordi first published them in 1820, where they were grouped and numbered from 1 to 24 as Op. 1, together with 12 Sonatas for Violin and Guitar (Op. 2 and 3) and 6 Guitar Quartets (Op. 4 and 5). When Paganini released his Caprices , he dedicated them " alli artisti" (to the artists) rather than to a specific person.
The abbreviations col 8, coll' 8, and c. 8 va stand for coll'ottava, meaning "with the octave", i.e. to play the notes in the passage together with the notes in the notated octaves. Any of these directions can be cancelled with the word loco , but often a dashed line or bracket indicates the extent of the music affected.
This is true for the Violin Sonata in G, K. 379/373a, where Mozart wrote in a letter to Leopold (8 April 1781) that he wrote out the violin part in an hour the night before the performance [17] "but in order to be able to finish it, I only wrote out the accompaniment for Brunetti and retained my own part in my head."
The songs as they survive are copies made shortly before or after the Norman Conquest (1066). They may have been collected by an English scholar while travelling on the continent sometime after the last datable song (1039), and brought back with him to the church of Saint Augustine at Canterbury, where they were copied and where the Codex was long kept.