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Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Project Gutenberg (PG) is a volunteer effort to digitize and archive cultural works, as well as to "encourage the creation and distribution of eBooks." [2] It was founded in 1971 by American writer Michael S. Hart and is the oldest digital library. [3]
Archive formats are used for backups, mobility, and archiving. Many archive formats compress the data to consume less storage space and result in quicker transfer times as the same data is represented by fewer bytes. Another benefit is that files are combined into one archive file which has less overhead for managing or transferring.
The Indiana University Archives of African American Music and Culture (AAAMC), established in 1991, is a material repository covering a range of African American musical idioms and cultural expressions from the post-World War II era. The collections highlight popular, religious, and classical music, with genres ranging from blues and gospel to ...
Music archaeology is an interdisciplinary field with multifaceted approaches, [6] falling under the cross section of experimental archaeology and musicology research. [7] Music archaeology research aims to understand past musical behaviors; this may be done through methods such as recreating past musical performances, or reconstructing musical instruments from the past.
The cultural archive has influenced historical cultural configurations and current dominant and cherished self-representations and culture. In a general nineteenth-century European framework, Edward Said describes the cultural archive as a storehouse of "a particular knowledge and structures of attitude and reference . . .
Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
The observation of the same or similar behavior in different cultures does not prove that they are the results of a common underlying psychological mechanism. One possibility is that they may have been invented independently due to a common practical problem. [6] Outside influence could be an explanation for some cultural universals. [7]