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more images: A free-standing folding screen. Paper on frame. In Japan, these are rarely left plain; they are usually painted. [15] Kichō (几帳) more images: T-shaped stand with curtain, with ties Made from parallel lengths of narrow-loom cloth (tanmono). Used in Heian Japan; [16] all but obsolete by the Edo Period [13] Chōdai (帳台) more ...
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
Ando's interpretation of this was demonstrated by his idea of reacquainting the Japanese house with nature, a relationship he thought had been lost with Modernist architecture. His first projects were for small urban houses with enclosed courtyards (such as the Azuma House in Ōsaka in 1976).
Plan of an Edo nagaya neighbourhood; houses range from 4.5 to 16 tatami in area (visible in full-scale view) Old depiction of a nagaya. Nagaya (長屋, lit. ' longhouse ') is a type of Japanese rowhouse that was typical during the Edo period (1603–1868). [1]
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
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