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Just as the Yajna (sacrificial) fire, its smoke, ashes, and flames, the Soma plant, and the ox that used to carry on its back the wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva's body, his tawny matted hair, his blue throat, and the riding on the bull of the Shiva, the Yupa-Skambha gave place in time to ...
The scuffle led to an exchange of arrow-fire, until Arjuna's quiver was depleted. The Pandava struck the hunter's head with his sword, which shattered to pieces. The two exchanged blows, until Arjuna was beaten senseless against the earth. [6] Arjuna soon regained consciousness and began to mentally worship Lord Shiva.
Ardhanarishvara represents the synthesis of masculine and feminine energies of the universe (Purusha and Prakriti) and illustrates how Shakti, the female principle of God, is inseparable from (or the same as, according to some interpretations) Shiva, the male principle of God, and vice versa. The union of these principles is exalted as the root ...
11th-century statue of Shiva as Nataraja, the lord of the dance. Shiva, the destroyer deity, is the Ultimate Reality in Shaiva tradition. He is the spouse of Parvati, the goddess of power. He is represented by his forms, Mahakala and Bhairava. Shiva is often pictured holding the damaruka, an hourglass-shaped drum, along with his trishula, a ...
The Kaivalya Upanishad, remarks Deussen, is from the group of five Upanishads which extol and assert god Shiva as a symbolism for Atman (Self). [6] These five Upanishads – Atharvashiras, Atharvashikha, Nilarudra, Kalagnirudra and Kaivalya – are ancient, with Nilarudra likely the oldest and Kaivalya the relatively later era 1st millennium BCE Upanishad, composed closer to Shvetashvatara ...
Even though it is speculated that Ahura Mazda was a spirit in the Indo-Iranian religion, he had not yet been given the title of "uncreated spirit". This title was given by Zoroaster, who proclaimed Ahura Mazda as the uncreated spirit, wholly wise, benevolent, and sound, as well as the creator and upholder of Asha.
The date and authors of Shiva Purana are unknown. No authentic data is available. Scholars such as Klostermaier as well as Hazra estimate that the oldest chapters in the surviving manuscript were likely composed around the 10- to 11th-centuries CE, which has not stood the test of carbon dating technology hence on that part we must rely on the text itself which tells when it was composed.
The pañcānana (Sanskrit: पञ्चानन), also called the pañcabrahma, [1] are the five faces of Shiva corresponding to his five activities (pañcakṛtya): creation (sṛṣṭi), preservation (sthithi), destruction (saṃhāra), concealing grace (tirobhāva), and revealing grace (anugraha). [2]