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Western music theory generally divides the octave into a series of twelve pitches, called a chromatic scale, within which the interval between adjacent tones is called a semitone, or half step. Selecting tones from this set of 12 and arranging them in patterns of semitones and whole tones creates other scales. [30]
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Western music is a form of music composed by and about the people who settled and worked throughout the Western United States and Western Canada. Western music celebrates the lifestyle of the cowboy on the open range, along the Rocky Mountains , and among the prairies of Western North America.
Ars cantus mensurabilis (Latin for the art of the measurable song) [1] is a music theory treatise from the mid-13th century, c. 1250–1280 written by German music theorist Franco of Cologne. [2] The treatise was written shortly after De Mensurabili Musica , a treatise by Johannes de Garlandia , which summarised a set of six rhythmic modes in ...
The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches.As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches.
This is the most common tuning system used in Western music, and is the standard system used as a basis for tuning a piano. Since this scale divides an octave into twelve equal-ratio steps and an octave has a frequency ratio of two, the frequency ratio between adjacent notes is then the twelfth root of two, 2 1/12 ≋ 1.05946309... .
Analysis is an activity most often engaged in by musicologists and most often applied to western classical music, although music of non-western cultures and of unnotated oral traditions is also often analysed. An analysis can be conducted on a single piece of music, on a portion or element of a piece or on a collection of pieces.
"The Music and Theories of Josef Matthias Hauer", Ph.D. dissertation. Ann Arbor: University of Michigan. Covach, John. 1992. "The Zwölftonspiel of Josef Matthias Hauer”. Journal of Music Theory 36.1 (1992): 149–84. Covach, John. 2002. "Twelve-Tone Theory”. In The Cambridge History of Western Music Theory, edited by Thomas Christensen ...