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Lenticular arrays have also been used for 3D autostereoscopic television, which produces the illusion of 3D vision without the use of special glasses. At least as early as 1954 patents for lenticular television were filed, [62] but it lasted until 2010 before a range of 3D televisions became available. Some of these systems used cylindrical ...
Kōkichi Sugihara (Japanese: 杉原厚吉, born June 29, 1948, in Gifu Prefecture) [1] [2] is a Japanese mathematician and artist [3] known for his three-dimensional optical illusions that appear to make marbles roll uphill, [4] [5] pull objects to the highest point of a building's roof, [6] and make circular pipes look rectangular. [7]
The Hering illusion (1861): When two straight and parallel lines are presented in front of radial background (like the spokes of a bicycle), the lines appear as if they were bowed outwards. Hollow-Face illusion: The Hollow-Face illusion is an optical illusion in which the perception of a concave mask of a face appears as a normal convex face.
The images presented to each eye are slightly different, and are constructed such that the brain can combine them to create the illusion of depth via stereopsis. This allows viewing of 3D images without the need for specialized glasses, making it a practical and convenient solution for a wide range of applications.
An autostereogram is a two-dimensional (2D) image that can create the optical illusion of a three-dimensional (3D) scene. Autostereograms use only one image to accomplish the effect while normal stereograms require two. The 3D scene in an autostereogram is often unrecognizable until it is viewed properly, unlike typical stereograms.
Over the next ten years, Nan developed a completely unique repertoire of brush strokes and ink painting techniques, including the “halo dot”, the “Nan Qi Way” for controlling ink flow into highly absorbent rice paper, and the “3D ink” technique, which allows him to create three-dimensional optical illusions by hand.
A 3D-printed version of the Reutersvärd Triangle illusion. M.C. Escher's lithograph Waterfall (1961) depicts a watercourse that flows in a zigzag along the long sides of two elongated Penrose triangles, so that it ends up two stories higher than it began. The resulting waterfall, forming the short sides of both triangles, drives a water wheel.
The anamorphic distortion of the source image crucial to the illusion can be understood by likening the images to projections of a 3D object onto a plane (e.g. a sheet of paper) originating from the location of the viewer's eyes. The base of the object meets the plane where the object stands, while the tip of the object is "projected" to a more ...