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The Motif replaced the EX series in Yamaha's line-up and was also based on the early Yamaha S series. Other workstations in the same class are the Korg Kronos and the Roland Fantom G . The series' successor is Yamaha Montage, released in 2016, followed up by the Yamaha Montage M in 2023.
Detail of a panolong with a naga motif, from the National Museum of Anthropology. Okir, also spelled okil or ukkil, is the term for rectilinear and curvilinear plant-based designs and folk motifs that can be usually found among the Moro and Lumad people of the Southern Philippines, as well as parts of Sabah.
The Yamaha Montage (stylized as MONTAGE) is a series of musical synthesizers produced by Yamaha Corporation. First introduced from June 2016, it replaced Yamaha Motif.
Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009). "Philippine Bamboo Instruments". Humanities Diliman: A Philippine Journal of Humanities. 5 (1&2). University of the Philippines Diliman. ISSN 2012-0788.
The Yamaha MO6/MO8 is a music production synthesizer that comes in two sizes. The MO6 is the 61-key while the MO8 is the 88 weighted key version. The two versions use Yamaha's AWM2 (Advanced Wave Memory 2) tone generator also used in the Motif and the Motif ES series of synths and comes with 175MB of waveform memory, 64 voices of polyphony (124 Max in sequencer), 512 preset programs with 256 ...
A pakudos is a visual motif used by the Hanunuo Mangyan people of Mindoro in the Philippines. Pakudos are characterized by symmetrical, aesthetic, and orderly utilization of lines and space with equal utilization of vertical and horizontal composition. [1] The word pakudos was coined from cruz, the Spanish word for cross.
It was introduced in 2004 as an upgrade from the Fantom S series. The Fantom-X competes with the Korg Triton/Triton Extreme, the Yamaha Motif ES and other similar large-scope keyboards such as the discontinued Alesis Fusion. In 2008 it was succeeded by the Fantom-G*, which was devised to compete with the new Korg and Yamaha flagship keyboards.
In 1968, at the University of the Philippines, eminent ethnomusicologist Professor José Maceda ushered in a new interest in kulintang music with the kulintang Master, Aga Mayo Butocan. The latter devised a notation system and wrote Palabunibunyan, a collection of kulintang music pieces from Maguindanao—which made its study more accessible.