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Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
Rex Brasher (July 31, 1869 [1] – February 29, 1960) was an American watercolor painter and ornithologist in the vein of John James Audubon and Louis Agassiz Fuertes.Brasher's 875 surviving paintings depicted 1,200 species and sub-species of North American birds in accurate detail, representing all the species and sub-species identified in the American Ornithologists’ Union’s Checklist of ...
Hunt was "one of the key figures in nineteenth-century English watercolour painting. His work was extensively collected in his lifetime, particularly his genre pictures of children, often in humorous situations, and his detailed, naturalistic still lifes of fruit, flowers, and birds' nests that earned him the nickname ‘Bird’s Nest’ Hunt." [2]
Unsigned, the painting is attributed to de Arellano due to the wide variety of flowers scientifically portrayed, the precise underdrawing and the quite free arrangement of them with the petals (especially those of the red and white tulip at bottom left) seemingly troubled by a breeze, though the inclusion of a dahlia and orange blossom is rare ...
Pomological Watercolor Collection; Palo Duro Canyon paintings of O'Keeffe; A Panoramic View of London, from the Tower of St. Margaret's Church, Westminster; The Paying-out Machinery in the Stern of the Great Eastern; Peatery in Drenthe; Pity (William Blake) Pornocrates; Portrait of a Young Man (Iravani) Portrait of Saint Bartley Harris
Falling Bird: 23.5 x 27 Metropolitan Museum of Art, New York Watercolor, transferred printing ink, and ink on paper, on cardboard 1919 Jumping Jack: 28.4 x 22 Solomon R. Guggenheim Museum, New York Watercolor, oil transfer drawing, and graphite on paper, mounted on paperboard 1919 Death in the Garden (Legend) 27.3 x 24.8 Art Institute of Chicago
Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905. O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it.
Areas of subject matter where Chinese influence has been repeatedly significant include Buddhist religious painting, ink-wash painting of landscapes in the Chinese literati painting tradition, calligraphy of sinograms, [1] and the painting of animals and plants, especially birds and flowers. However, distinctively Japanese traditions have ...
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