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The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Agape (ἀγάπη, agápē [1]) means "love: esp. unconditional love, charity; the love of God for person and of person for God". [2] Agape is used in ancient texts to denote unconditional love, and it was also used to refer to a love feast. [3] Agape is used by Christians to express the unconditional love of God for His children.
Love Quotes for Him. Woman's Day/Getty Images "Love is when he gives you a piece of your soul that you never knew was missing." — Torquato Tasso "For you see, each day, I love you more. Today ...
William Wordsworth (pictured) and Samuel Taylor Coleridge helped to launch the Romantic Age in English literature in 1798 with their joint publication Lyrical Ballads. In English literature, the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley and the much older ...
Deep engagement quotes “Love is that condition in which the happiness of another person is essential to your own.” — Robert A. Heinlein “You can transmute love, ignore it, muddle it, but ...
Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century. It involved a reaction against prevailing Enlightenment ideas of the 18th century, [ 1 ] and lasted approximately from 1800 to 1850.
Homoerotic poetry is a genre of poetry implicitly dealing with same-sex romantic or sexual interaction. The male-male erotic tradition encompasses poems by major poets such as Pindar, Theognis of Megara, Anacreon, Catullus, Virgil, Martial, Abu Nuwas, Michelangelo, Walt Whitman, Federico García Lorca, W. H. Auden, Fernando Pessoa and Allen Ginsberg.
The literary critic and sinologist Andrew H. Plaks writes that the term "classic novels" in reference to these six titles is a "neologism of twentieth-century scholarship" that seems to have come into common use under the influence of C. T. Hsia's The Classic Chinese Novel.