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  2. Loudness compensation - Wikipedia

    en.wikipedia.org/wiki/Loudness_compensation

    For movie soundtracks this reference volume level is an industry standard [4] and can be used by manufacturers to provide a loudness feature that works with a reasonable degree of accuracy. A home theater product that provides a reference level indication on the volume control can be expected to work well with movie soundtracks.

  3. Potentiometer - Wikipedia

    en.wikipedia.org/wiki/Potentiometer

    The 'log pot', that is, a potentiometer has a resistance, taper, or, "curve" (or law) of a logarithmic (log) form, is used as the volume control in audio power amplifiers, where it is also called an "audio taper pot", because the amplitude response of the human ear is approximately logarithmic. It ensures that on a volume control marked 0 to 10 ...

  4. Panning (audio) - Wikipedia

    en.wikipedia.org/wiki/Panning_(audio)

    A pan control or pan pot (short for "panning potentiometer") is an analog control with a position indicator that can range continuously from the 7 o'clock when fully left to the 5 o'clock position fully right. Audio mixing software replaces pan pots with on-screen virtual knobs or sliders which function like their physical counterparts.

  5. Volume control - Wikipedia

    en.wikipedia.org/wiki/Volume_control

    Volume control can refer to: Volume controlled continuous mandatory ventilation; Potentiometer, a feature on audio equipment for adjusting the sound level

  6. Sound card mixer - Wikipedia

    en.wikipedia.org/wiki/Sound_card_mixer

    Sound card mixer controls are provided through the GUI interface in the computer's operating system. On most desktop environments, the mixer can be accessed via a Volume icon in the system tray. Mixer controls are similar to that of a mixing console. They consist of volume sliders or rotary controls that represent each individual source, which ...

  7. Equalization (audio) - Wikipedia

    en.wikipedia.org/wiki/Equalization_(audio)

    Audio amplifiers have long had filters or controls to modify their frequency response. These are most often in the form of variable bass and treble controls, and switches to apply low-cut or high-cut filters for elimination of low-frequency rumble and high-frequency hiss respectively.

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