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Satisfactory output of the complete system comprising the audio crossover and the loudspeaker drivers in their enclosure(s) is the design goal. Such a goal is often achieved using non-ideal, asymmetric crossover filter characteristics. [5] Many different crossover types are used in audio, but they generally belong to one of the following classes.
From this point, connections are made to the loudspeaker drivers – usually through audio crossover networks. In bi-wiring, each loudspeaker has two pairs of connectors and two cables are run from the same amplifier output to the speaker cabinet: one for the high frequency or tweeter driver and one for the low-frequency driver (through two ...
In professional concert sound system design, subwoofers can be incorporated seamlessly with the main speakers into a stereo or mono full-range system by using an active crossover. The audio engineer typically adjusts the frequency point at which lower frequency sounds are routed to the subwoofer speaker(s), and mid-frequency and higher ...
Bi-amping - An active crossover with two amplifiers.. Bi-amping and tri-amping is the practice of using two or three audio amplifiers respectively to amplify different audio frequency ranges, with the amplified signals being routed to different speaker drivers, such as woofers, subwoofers and tweeters.
The fundamental principle of bass management (also called LFE crossover) in surround sound replay systems is that bass content in the incoming signal, irrespective of channel, should be directed only to loudspeakers capable of reproducing it, whether the latter are the main system loudspeakers or one or more subwoofers.
Using a crossover to separate the sound into low, middle and high frequencies can lead to a "cleaner", clearer sound (see bi-amplification) than routing all of the frequencies through a single full-range speaker system. Nevertheless, many small venues still use a single full-range speaker system, as it is easier to set up and less expensive.
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