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As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athens. The cult of Hephaestus was based in Lemnos. [1] Hephaestus's symbols are a smith's hammer, anvil, and a pair of tongs.
Polynices offering Eriphyle the necklace of Harmonia; Attic red-figure oenochoe ca. 450–440 BC. Louvre museum. The Necklace of Harmonia, also called the Necklace of Eriphyle, was a fabled object in Greek mythology that, according to legend, brought great misfortune to all of its wearers or owners, who were primarily queens and princesses of the ill-fated House of Thebes.
View of the ancient agora. The temple of Hephaestus is to the left and the Stoa of Attalos to the right.. The ancient Agora of Athens (also called the Classical Agora) is the best-known example of an ancient Greek agora, located to the northwest of the Acropolis and bounded on the south by the hill of the Areopagus and on the west by the hill known as the Agoraios Kolonos, also called Market ...
Articles relating to the god Hephaestus and his cult. He is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, and fire.
Winged "ΤΑΛΩΝ" armed with a stone.Obverse of silver didrachma from Phaistos, Crete (c. 300/280–270 BC) (Cabinet des Médailles, Paris). In Greek mythology, Talos, also spelled Talus (/ ˈ t eɪ l ɒ s /; [1] Greek: Τάλως, Tálōs) or Talon (/ ˈ t eɪ l ɒ n, ən /; Greek: Τάλων, Tálōn), was a man of bronze who protected Crete from pirates and invaders.
They are made of a distinctive crystalline Pentelic marble with gray-green chlorite veins. [22] They can be dated stylistically to the second half of the 5th century BC, probably the 430s BC. [42] The style and dimensions are particularly similar to the Temple of Hephaestus, the Temple of Poseidon at Sounion, and the Temple of Nemesis at Rhamnous.
The stanzas with longer lines describe the scenes of a barren and impersonal modern world that Hephaestus creates in Auden's version. In the first scene described by these stanzas, an anonymous, dispassionate army listens. In the second scene, a crowd of ordinary people watch passively as three "pale figures" are dragged towards and tied to posts.
The festival celebrated Athena and Hephaestus, in honor of both gods as patron deities of Athens, and as deities of handicrafts. [1] [2] Each year, preparations were begun for a specialized peplos (a robed garment worn by Greek women), which was made to be offered to the goddess at another festival, the Panathenaea. [3]