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This is an accepted version of this page This is the latest accepted revision, reviewed on 13 December 2024. Egyptian queen and pharaoh, fifth ruler of the Eighteenth Dynasty (c. 1479/8–1458 BC) For the 13th dynasty princess, see Hatshepsut (king's daughter). Hatshepsut Statue of Hatshepsut on display at the Metropolitan Museum of Art Pharaoh Reign c. 1479 – 1458 BC Coregency Thutmose III ...
Hatshepsut's offering-hall emulated those found in the mortuary temples of the Old and Middle Kingdom pyramid complexes. It measured 13.25 m (43.5 ft) deep by 5.25 m (17.2 ft) wide and had a vaulted ceiling 6.35 m (20.8 ft) high. [36] Consequently, it was the largest chamber in the entire temple. [71]
Merytre-Hatshepsut depicted in the mortuary temple of Thutmose III in Medinet Habu. Merytre-Hatshepsut is depicted in several tombs, including that of her husband Thutmose III . On one of the pillars in his tomb, Merytre is shown as one of three queens following Thutmose III. She is followed by Queen Satiah, Queen Nebtu, and Princess Nefertari.
Through this marriage Hatshepsut was given her royal titles as Great King's Wife and God's Wife of Amun, [2] empowering her to participate as a royal personage in cult rituals. Hatshepsut only birthed a single child, the girl Neferure, with Thutmose II. However, Thutmose II's secondary wife, Isis, gave birth to a son, Thutmose III. During ...
Block statue of Senemut and Princess Neferure, Queen Hatshepsut's daughter, –New Kingdom, 18th Dynasty, height 1.005 m, medium to deep black granite, high to extreme polish. Extensive hieroglyphic story: sides, front, top, and the tops of feet, at front base. (Front: 7 horizontal 'registers', and 6 vertical to the feet.) See Hagen Ref., pg. 60.
The focal point of the Deir el-Bahari complex is the Djeser-Djeseru meaning "the Holy of Holies", the Mortuary Temple of Hatshepsut. It is a colonnaded structure, which was designed and implemented by Senenmut, royal steward and architect of Hatshepsut, to serve for her posthumous worship and to honor the glory of Amun.
The oldest surviving representations of the divine Rekhyt symbol are in the Mortuary Temple of Hatshepsut. In the entrance hall of her Red Chapel , there is a narrow decorative strip stretching across the entire north wall with symbols of the Rekhyt who, among other things, worship Hatshepsut as "praising their mistress" and in the same posture ...
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