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It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
Like most dance movements of the Baroque period it is typically in binary form but this may be extended by a second melody in the same metre, often one called the musette, having a pedal drone to imitate the French bagpipes, played after the first to create a grand ternary form; A–(A)–B–A. [1] There is a Gavotte en Rondeau ("Gavotte in ...
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude. The separate movements were often thematically and tonally ...
From the 17th century onward, trio has been used to describe a contrasting second or middle dance appearing between two statements of a principal dance, such as a minuet or bourrée. This second dance was originally called a trio because of the 17th-century practice of scoring it for three instruments, and later examples continued to be ...
Furthermore, many of the rhythmic patterns of the traditional mazurka also appear in Chopin's compositions so they still convey the idea of a dance, but a more "self-contained, stylized dance piece." [ 4 ] In keeping with this idea, Chopin did try to make his mazurkas more technically interesting by furthering their chromaticism and harmony ...
The csárdás from Strauss' operetta Die Fledermaus, sung by the character Rosalinde, is probably the most famous example of this dance in vocal music. One of the best-known examples of instrumental csárdás is the composition by Vittorio Monti for violin and piano. This virtuoso piece has seven tempo variations.
In a jazz context, "waltz" signifies any piece of music in 3/4 time, whether intended for dancing or not. [5] Although there are early examples such as the "Missouri Waltz" by Dan and Harvey’s Jazz Band (1918) and the "Jug Band Waltz" or the "Mississippi Waltz" by the Memphis Jug Band (1928), they are exceptional, as almost all jazz before 1955 was in duple meter. [6]
The first page of J. S. Bach's Toccata and Fugue in D minor, BWV 565. Toccata (from Italian toccare, literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally ...