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It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Dynamics in a piece should be interpreted relative to the other dynamics in the same piece. For example, pp should be executed very softly, but if ppp is found later in the piece, pp should be markedly louder than ppp. More than three p s (ppp) or three f s (fff) are uncommon. piano (p) Gently (i.e. played or sung softly) (see dynamics) piano ...
To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed Moonlight Sonata) is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" (Piano Sonata No. 13 in E-flat ...
Siciliana – Slow piece often in a minor key, characterized by dotted rhythms and a pastoral mood. Sinfonia – Orchestral piece, often serving as the introduction, interlude, or postlude of a larger work. Sonata – Composition for one or more instruments, typically in three or four movements.
The fantasia occupies a central place in Schumann's oeuvre: The great Fantasie in C, Op. 17, and the fantasy pieces Op. 12, 73 and 111. Later examples of fantasias include Anton Bruckner's Fantasia in G major WAB 118 and the Four Fantasias WAB 215, Busoni's Fantasia contrappuntistica , Vaughan Williams ' Fantasia on a Theme by Thomas Tallis and ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Liszt wrote approximately 100 individual works for solo piano, as well as many others for various vocal ensembles and couple of orchestral works, from 1869 to the end of his life. While some of these piano works are actually collections of pieces, the late pieces are almost entirely smaller works.