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Alliteration is the repetition of syllable-initial consonant sounds between nearby words, or of syllable-initial vowels if the syllables in question do not start with a consonant. [1] It is often used as a literary device. A common example is "Peter Piper picked a peck of pickled peppers".
Alliteration essentially involves matching the left edges of stressed syllables. Early Germanic languages share a left-prominent prosodic pattern. In other words, stress falls on the root syllable of a word, which is normally the initial syllable (except where the root is preceded by an unstressed prefix, as in past participles, for example).
The basic Anglo-Saxon poetic line consists of two half-lines, connected by alliteration. This means that there is a word or syllable in the second half-line, which will alliterate with one or more important words or syllables in the first half-line. These alliterated words or syllables will have more stress. [10]
An example is the verse from Edgar Allan Poe's "The Raven": "And the silken sad uncertain rustling of each purple curtain." (This example also contains assonance around the "ur" sound.) Another example of consonance is the word "sibilance" itself. Consonance is an element of half-rhyme poetic format, sometimes called "slant rhyme".
Alliteration is the repetition of consonant sounds at the beginning of words. Example: "...many a man is making friends with death/ Even as I speak, for lack of love alone." (Edna St. Vincent Millay's "Sonnet 30"). Alliteration is used by an author to create emphasis, to add beauty to the writing style, and occasionally to aid in shaping the mood.
Paroemion is a form of alliteration where nearly every word in a sentence begins with the same consonant. [1] The repetition of initial consonant sounds in neighboring words (as wild and woolly, threatening throngs) is also called head rhyme or initial rhyme. An example of paroemion is:
A tautogram (Greek: tauto gramma, "same letter") is a text in which all words start with the same letter.. Historically, tautograms were mostly poetical forms. [1] The difference between a tautogram and alliteration is that tautograms are a written, visual phenomenon, whereas alliterations are a phonetic one.
The Lay of the Children of Húrin (c. 1918–1925), an unfinished poetic version of the story of Túrin, going as far as Túrin's sojourn in Nargothrond.It exists in two versions, both incomplete; the first being 2276 lines long, the second containing only 745 alliterating lines, corresponding to the first 435 lines of the first version.