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The Well-Tuned Piano: La Monte Young: 5-6 hours Premiered and recorded by the composer. [14] The History of Photography in Sound: Michael Finnissy: 5½ hours 365 (edition) [15] [16] A3 Premiered and recorded by Ian Pace. [15] [17] Performed by Mark Knoop. [18] Piano Symphony No. 6 (Symphonia claviensis) Kaikhosru Shapurji Sorabji 4¾ hours
Opus clavicembalisticum is a work for solo piano, notable for its length and difficulty, composed by Kaikhosru Shapurji Sorabji and completed on 25 June 1930. [1]At the time of its completion, it was the longest piano piece in existence, taking around 4–4½ hours to play, depending on tempo.
Étude Op. 25, No. 6, in G-sharp minor, is a technical study composed by Frédéric Chopin focusing on thirds, trilling them at a high speed.Also called the Double Thirds Étude, it is considered one of the hardest of Chopin's 24 Études, ranking the highest level of difficulty according to the Henle difficulty rankings.
The Fantasie in C major, Op. 15 (D. 760), popularly known as the Wanderer Fantasy, is a four-movement fantasy for solo piano composed by Franz Schubert in 1822. It is widely considered Schubert's most technically demanding composition for the piano. Schubert himself said "the devil may play it," in reference to his own inability to do so ...
The technique required to play Chopin's Études, Op. 10 (1833) and Op. 25 (1837) was extremely novel at the time of their publication; the first performer who succeeded at mastering the pieces was the renowned virtuoso composer Franz Liszt (to whom Chopin dedicated the Op. 10). Liszt himself composed a number of études that were more extensive ...
Prior to the creation of the Hammerklavier sonata, the years between 1807 and 1812 were considered one of Beethoven's most productive period. During that time, he composed four symphonies (Nos. 5 through 8), three piano sonatas (opp. 78–81a), the Piano Concerto No. 5, "Emperor", the Mass in C major, and various chamber works.
The Ballade No. 4 in F minor, Op. 52 is a ballade for solo piano by Frédéric Chopin, completed in 1842 in Paris and published in 1843 with a dedication to Baroness Charlotte de Rothschild. [1] Being his last published ballade, the piece is commonly considered one of the masterpieces of 19th-century piano music. [2] [3]
The plot of the song concerns a fictional violinist who is based on Paganini; Leopold Auer – arranged it for violin with piano accompaniment, and added some variations of his own; Rafał Augustyn – Paganini Variations, for solo piano (1987–1989) (reference: www.polmic.pl) Luc Baiwir – Variations on a Theme by Paganini, for solo piano (2007)
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