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186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
This left Wilhelm Kielblock, a noted German stained glass designer and painter, [2] and Elmore Helf, a business man, to reorganize the company. Elmore Helf was not the first member of the Helf family to run a stained glass studio, his father, Henry Helf, was shop foreman for Von Gerichten Art Glass Company in Columbus, Ohio. [3]
The Portland Vase, about 5–25 AD . Cameo glass is a luxury form of glass art produced by cameo glass engraving or etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background.
Fenton had a long history of decorating glass that goes back to its beginnings in 1905. [1] The Fenton Art Glass company started out as a decorating company that purchased blanks from glass manufacturers and placed their own decorations on them. [2] Fenton did not manufacturer glass until 1907 a year after the Williamstown, WV plant was built. [2]
Aventurine glass was first invented in 17th or 18th century Venice. It is made to imitate aventurine quartz, it is a yellow glass filled with flecks of sparkling copper particles. Cameo glass is like cased glass, with two layers of different colors. The outer layer is then engraved with a diamond point or etched with acid to create a two-color ...
The finer sorts of English glasses, until the cut glass style arrived in the 1730s, relied heavily for decoration on spirals ("twists") of air held inside the stem. The English invention of the much more deeply cut cut glass style often included engraved ornament, mostly geometrical or floral, in a secondary role, especially near the rim. Later ...
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Art is sometimes etched into glass via the use of acid, caustic, or abrasive substances. Traditionally this was done after the glass was blown or cast. In the 1920s a new mould-etch process was invented, in which art was etched directly into the mould so that each cast piece emerged from the mould with the image already on the surface of the glass.
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