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The Call (Korean: 콜; RR: Kol), is a 2020 South Korean science fiction psychological thriller film directed by Lee Chung-hyun, and starring Park Shin-hye and Jeon Jong-seo. Based on the 2011 British and Puerto Rican film The Caller , The Call revolves around Seo-yeon ( Park Shin-hye ) and Young-sook ( Jeon Jong-seo ), two women from different ...
The Call (South Korean TV series), a 2018 South Korean music collaboration project-themed music variety game show that aired on Mnet and tvN; The Call, an interactive news program on NY1 "The Call" (The Twilight Zone), an episode of the television series The Twilight Zone; The Call (2019 Nollywood film) is a Nollywood comedic movie by Woli ...
The Korean adaptation stars Park Shin-hye and Jeon Jong-seo in the lead roles. The story of revolves around two women, Seo-yeon (played by Park Shin-hye) and Young-sook (played by Jeon Jong-seo), who exist in different time periods. Through a mysterious phone call, their fates become entangled, leading to a series of unexpected events.
The Devil's Deal. On Viki now. Hae Woong is a powerful assembly member candidate, but is taken out of the running when he becomes a nuisance to a local bigwig.
The Call (Korean: 더 콜; RR: Deo Kol; MR: Tŏ K'ol) is a music variety game show, originally airing on Mnet and simulcasted on tvN each Friday night, starting from May 4, 2018. [ 2 ] [ 3 ] The show was created by South Korean television producer Lee Seon-young, who also created I Can See Your Voice , [ 1 ] [ 4 ] and focuses on getting Korean ...
Jeon Jong-seo (Korean: 전종서; born July 5, 1994), also known as Rachel Jun, is a South Korean actress. She made her acting debut in a leading role in the 2018 acclaimed thriller film Burning. She next starred in the film The Call (2020) for which she won the Baeksang Arts Award for Best Actress – Film.
Korean distributors and sales agents variously estimate that there are now 100-200 completed local movies waiting for the right moment to release, with the local majors CJ and Lotte Cultureworks ...
Ninety-seven times out of 100, a movie makes its moral judgments for us. Yes, there’s a haunting ambiguity to films like “The Conformist” or “Taxi Driver” or “Tár.”
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