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Her poetry is notable for its spirited defence of her independence, using the established structure of the ashiq verbal contest to broaden her expressive potential as a woman. [10] In her poetic exchanges with male members of the mejlis , she upholds her honour, rebuffs their advances, and maintains her modesty.
Historically, literature has been a male-dominated sphere, and any poetry written by a woman could be seen as feminist. Often, feminist poetry refers to that which was composed after the 1960s and the second wave of the feminist movement. [1] [2] This list focuses on poets who take explicitly feminist approaches to their poetry.
Unlike classic fairy tales, there is a complete nonreliance on men to resolve the complications that arise, and the strong and powerful woman character (in classic conventions often evil or have possessed magical powers) is a completely independent human woman who uses intelligence to help the female protagonist achieve her goals. [8]
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In Aurora Leigh, however, she created a strong and independent woman who embraces both work and love. Leighton writes that because Elizabeth participates in the literary world, where voice and diction are dominated by perceived masculine superiority, she "is defined only in mysterious opposition to everything that distinguishes the male subject ...
[32] She was the first woman to win the poetry prize, though two women (Sara Teasdale in 1918 and Margaret Widdemer in 1919) won special prizes for their poetry prior to the establishment of the award. [33] In 1924, literary critic Harriet Monroe labeled Millay “the greatest woman poet since Sappho." [34]
Conferences also provided important spaces for feminists to share and discuss ideas about the possibilities of poetry: for example a key moment for Canadian feminist poetry was the "Women and words / Les femmes et les motes" conference in 1983.
A literary critic noted that Evans used "black idioms to communicate the authentic voice of the black community is a unique characteristic of her poetry." [21] I Am a Black Woman (1970), her best-known poetry collection, won the Black Academy of Art and Letters First Poetry Award in 1975, and includes her best-known poem, "I Am a Black Woman". [18]