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Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
I Need You (Paris Hilton song) I Really Love You; I Want You (Janet Jackson song) I Won't Say (I'm in Love) I Wonder Why; I'm on the Outside (Looking In) I'm So Young; In My Room; In the Still of the Night (The Five Satins song) It's Still Rock and Roll to Me; It's Too Late (Carole King song) It's Too Soon to Know
The Penguins were an American doo-wop group from Los Angeles, California, that were active during the 1950s and early 1960s. They are known for their 1954 hit song, "Earth Angel", which was one of the first rhythm and blues songs to cross over to the pop charts. The song would ultimately prove to be their only success.
This is a list of doo-wop musicians. Contents: Top 0–9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A The Accents The Ad Libs The Alley Cats Lee Andrews ...
Their next release, "Love, Love, Love" (recorded in March 1956), charted in the R&B top ten of June and reached the top 50 of the national chart in August. [ 19 ] [ 20 ] In April 1957 Quincy Jones arranged five tracks for the group, of which two—"So Young" and "I I I Love You"—were released as a double A-sided single (Atlantic 1139), while ...
Although none of their original records made the charts, several of their songs have gained recognition over the years and have been included in anthologies such as 25 All-Time Doo-Wop Hits, The Best of Doo-Wop, Doo-Wop Classics, Doo-Wop Treasures, Only the Best of Old Town Records, and Rhino's Doo-Wop Box. [23]
Another subgenre, doo-wop, entered the pop charts in the 1950s. Its popularity would spawn the parody "Who Put the Bomp (in the Bomp, Bomp, Bomp)". Novelty songs, long a music industry staple, continued their popularity in the rock and roll medium with hits such as "Beep Beep".