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  2. Sonnet 42 - Wikipedia

    en.wikipedia.org/wiki/Sonnet_42

    The poem is essentially a sad one…it's sadness heightened by the feminine endings, six in all [out of seven]". [8] Many critics seem to agree with this reading of the feminine endings, and note that additionally, the author uses two words to imply the emotionality tied up in his sonnet.

  3. Pastoral elegy - Wikipedia

    en.wikipedia.org/wiki/Pastoral_elegy

    The pastoral elegy is a poem about both death and idyllic rural life. Often, the pastoral elegy features shepherds. The genre is actually a subgroup of pastoral poetry, as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse ...

  4. Poems (Christie collection) - Wikipedia

    en.wikipedia.org/wiki/Poems_(Christie_collection)

    Remembrance, another poem in the same sequence, is a poem about the loss of a loved one and was reprinted in a small sixteen-page volume of the same name in 1988 by the Souvenir Press with illustrations by Richard Allen (ISBN 0-285-62876-3) The following year, the Souvenir Press published another of the poems from the collection, My Flower Garden, again in a small sixteen-page volume with ...

  5. Gone But Not Forgotten—Honor Loved Ones With 100 ... - AOL

    www.aol.com/news/gone-not-forgotten-honor-loved...

    Undoubtedly, grief is terrible and confusing to wade through after the loss of someone you love. But by reciting celebration of life poems in their honor at a funeral, ...

  6. Poems 1912–13 - Wikipedia

    en.wikipedia.org/wiki/Poems_1912–13

    Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma, in November 1912.An unsentimental meditation upon a complex marriage, [1] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.

  7. Lycidas - Wikipedia

    en.wikipedia.org/wiki/Lycidas

    [3] Milton himself "recognized the pastoral as one of the natural modes of literary expression," employing it throughout "Lycidas" in order to achieve a strange juxtaposition between death and the remembrance of a loved one. [4] The poem itself begins with a pastoral image of laurels and myrtles, "symbols of poetic fame; as their berries are ...

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