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Horse artillery—rows of limbers and caissons, each pulled by teams of six horses with three postilion riders and an escort on horseback (1933, Poland). A limber is a two-wheeled cart designed to support the trail of an artillery piece, or the stock of a field carriage such as a caisson or traveling forge, allowing it to be towed.
Field artillery in the American Civil War refers to the artillery weapons, equipment, and practices used by the artillery branch to support infantry and cavalry forces in the field. It does not include siege artillery , use of artillery in fixed fortifications, coastal or naval artillery .
Pages in category "American Civil War artillery" ... Limbers and caissons; Linstock; M. M1841 6-pounder field gun; M1841 12-pounder howitzer; M1841 24-pounder howitzer;
The Horse Artillery Brigade of the Army of the Potomac was a brigade of various batteries of horse artillery during the American Civil War. Made up almost entirely of individual, company-strength batteries from the Regular Army's five artillery regiments, the Horse Artillery operated under the command umbrella of the Cavalry Corps. The Horse ...
By the time of the American Civil War, the 24-pounder howitzer was superseded by the 12-pounder Napoleon, which combined the functions of both field gun and howitzer. The 24-pounder howitzer's use as field artillery was limited during the conflict and production of the weapon in the North ended in 1863.
Based on the earliest dates of enlistment, the battery was apparently "organized at Monticello, Drew County, Arkansas, on February 8, 1862." [1] The battery is occasionally referred to as either the Drew Light Artillery or "Drew's Battery", [2] based on the units association with Drew County, Arkansas, but these references only appear in post war pension records and other articles.
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Friedlander suggested it be built around a song already known as The Caisson Song (alternatively The Field Artillery Song or The Caissons Go Rolling Along). The song was thought to perhaps be of Civil War origin, and was unpublished, and its composer believed to be dead. Sousa agreed, changed the harmonic structure, set it in a different key ...