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The altar cards may only stand on the altar during Mass. The center one stands against the Tabernacle, altar cross or other support, and the left and right ones stand against either the candlesticks or the superstructural steps (each called a "gradine") of the altar. After Mass, they must either be removed or placed face downwards under the ...
The Tridentine Mass, [1] also known as the Extraordinary Form of the Roman Rite [2] or usus antiquior (more ancient usage), or the Traditional Latin Mass [3] [4] or the Traditional Rite [5] is the liturgy in the Roman Missal of the Catholic Church codified in 1570 and published thereafter with amendments up to 1962.
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The Roman Missal of Pope Pius V, whose use was made generally obligatory throughout the Latin Church in 1570 laid down that, for Mass, a cross should be placed in the middle of the altar, flanked by at least two candlesticks with lit candles, and that the central altar card should be placed at the foot of the cross. It stated also that "nothing ...
A Mass is called a sung Mass, when the celebrant actually sings those parts which the rubrics require to be sung; otherwise it is called a low Mass. Moreover, a sung Mass, when celebrated with the assistance of sacred ministers, is called a solemn or High Mass (Missa solemnis); when celebrated without sacred ministers, it is called a Missa cantata.
Simplifications included elimination of many of the patristic readings at Matins and a reduction in the number of commemorations to be observed in the Office and Mass. Several changes were introduced into the rituals to be observed at Mass, such as eliminating the requirement for the celebrant to read the Epistle and Gospel at the altar during ...
The Missa sicca (Latin for 'dry Mass') was a form of Catholic devotion used in the medieval Catholic Church when a full Mass could not be said, such as for funerals or marriages in the afternoon after a priest had already said Mass earlier that morning. It consisted of all components of the Mass except the Offertory, Consecration and Communion.
The Gospels and Altar card sections are written in Uncial script (fol. 1–188). The Eusebian Canons are written in Carolingian minuscule (fol. 189–198). The book is illuminated in the Carolingian Style with large decorated initials throughout the text. The design is similar to the Vienna Coronation Gospels. [2]