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Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
In the creation and criticism of fictional works, a character flaw or heroic flaw is a bias, limitation, imperfection, problem, personality disorder, vice, phobia, prejudice, or deficiency present in a character who may be otherwise very functional. The flaw can be a problem that directly affects the character's actions and abilities, such as a ...
Example: Agamemnon (play) Falling prey to cruelty/misfortune. an unfortunate; a master or a misfortune; The unfortunate suffers from misfortune and/or at the hands of the master. Example: Job (biblical figure) Revolt. a tyrant; a conspirator; The tyrant, a cruel power, is plotted against by the conspirator. Example: Julius Caesar (play) Daring ...
Sarah Siddons as the Tragic Muse, Joshua Reynolds (1784). Sarah Siddons (1755–1831) was an esteemed performer of Shakespearean tragedy.. Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare.
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As a result, the critic becomes biased in favor of and fixated on the character. Eliot accuses Johann Wolfgang von Goethe and Samuel Taylor Coleridge of this, stating that Goethe's critique turns Shakespeare's tragic hero into his own Werther while Coleridge's "Lecture on Hamlet" made Hamlet into a Coleridge. Eliot wrote that due to their ...