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"Rise" is an instrumental written by Andy Armer and Randy 'Badazz' Alpert, first recorded in 1979 by trumpeter Herb Alpert. Released as a single from Alpert's solo album Rise, the song reached #1 on the Billboard charts. It is the instrumental sample for The Notorious B.I.G. hit "Hypnotize".
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"Worth It" is a calm slow-burning song in which Offset raps the two verses and Don Toliver shows his melodies as he sings the chorus. [2] The song contains an Afro-fusion-inspired instrumental as Toliver sings: "You got me, got me workin' / I hope it's worth it". [3]
The production of the song features a "warped, wobbly" bassline. Lyrically, Dead Prez criticizes the capitalist functions of the music industry and its exploitation of black people ("These record labels slang our tapes like dope / You can be next in line and signed and still be writing rhymes and broke"), [2] and encourages the idea of using hip hop music as a means to promote social change. [3]
Lofi hip hop (also typeset as lo-fi, short for "low fidelity") is a form of downtempo, lo-fi music that combines hip hop beats with elements of chill-out. [5] The name refers to the unpolished, low fidelity production techniques common in the style. [6] It was popularized in the 2010s on YouTube.
Zaytoven, whose beats heavily influenced emergence of plugg music. Origins of plugg music are traced to the gospel and soul-influenced production style of Zaytoven [12] and other southern rap influences, such as OutKast, [12] as well as to loosely related subgenre of hip-hop called Chicago bop, which is a euphoric, fast-paced subgenre of drill music. [13]
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [1] and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs.
The origins of industrial hip hop are in the work of Mark Stewart, Bill Laswell, and Adrian Sherwood.In 1985, former The Pop Group singer Mark Stewart released As the Veneer of Democracy Starts to Fade, an application of the cut-up style of industrial music, with the house band of Sugar Hill Records (Doug Wimbish, Keith Leblanc, and Skip McDonald). [1]