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The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.
In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [5] Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'".
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
Fitzgerald opens the essay by positing that the historical era known as Jazz Age began in the spring of 1919. [23] In contrast to social conservatives and isolationist politicians who insisted that World War I spawned the Jazz Age, [6] Fitzgerald instead pinpoints the 1919 May Day Riots as the actual starting point when young Americans read newspaper accounts of how mounted police officers ...
"May Day" is a short story by F. Scott Fitzgerald published in The Smart Set in the July 1920 issue. [2] The story was included in his 1922 short story collection Tales of the Jazz Age. [3] The plot follows a blithe coterie of privileged Yale alumni who meet for a social dance during the May Day riots of 1919.
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Contemporary British History (Sep 2016) 30#3 pp 432–433. Archer-Straw, Petrine. Negrophilia: Avant-Garde Paris and Black Culture in the 1920s (2000). Berghahn, Volker Rolf. Modern Germany: society, economy, and politics in the twentieth century (1987) ACLS E-book; Berliner, Brett A. Ambivalent Desire: The Exotic Black Other in Jazz-Age France ...