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The Old English epic poem Beowulf is written in alliterative verse.. In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. [1]
Literary alliteration has been used in various spheres of public speaking and rhetoric. It can also be used as an artistic constraint in oratory to sway the audience to feel some type of urgency, [ 36 ] or another emotional effect.
The first (of 10 lines) is written in normal alliterative metre, while the second (6 lines) includes internal rhyme in each line. First published in a poetry collection called A Northern Venture (1923). An unfinished Old English poem based on the Atlakviða (68 lines in two separate sections), published in The Legend of Sigurd and Gudrun.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
The author of the Morte Arthure is unknown. In his history of Scotland, Andrew of Wyntoun mentions a poet called Huchoun ("little Hugh"), who he says made a "gret Gest of Arthure, / And þe Awntyr of Gawane, / Þe Pistil als of Suet Susane" [great history of Arthur, / And the Adventure of Gawain, / The Epistle also of Sweet Susan].
Layamon's poem, however, is longer than both and includes an enlarged section on the life and exploits of King Arthur. It is written in the alliterative verse style commonly used in Middle English poetry by rhyming chroniclers, the two halves of the alliterative lines being often linked by rhyme as well as by alliteration.
Accentual verse has been widespread in English poetry since its earliest recording, with Old English poetry written in a special form of accentual verse termed alliterative verse, of which Beowulf is a notable example. Anglo-Saxon poetry generally added two further basic elements to the basic four-beat accentual verse pattern: alliteration of ...
The speaker of the poem is arguably separated from her lover and/or husband, Wulf, both symbolically and materially ('Wulf is on iege, ic on oþerre' [Wulf is on an island, I on another]), and this separation is seemingly maintained by threat of violence ('willað hy hine aþecgan' [they will want to ?seize him]), possibly by her own people ('Leodum is minum swylce him mon lac gife' [it is to ...