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Duncan Phyfe (1768 – 16 August 1854) [1] was one of nineteenth-century America's leading cabinetmakers.. Rather than create a new furniture style, he interpreted fashionable European trends in a manner so distinguished and particular that he became a major spokesman for Neoclassicism in the United States, influencing a generation of American cabinetmakers.
The Bureau du Roi (French pronunciation: [byʁo dy ʁwa], 'the King's desk'), also known as Louis XV's roll-top desk (French: Secrétaire à cylindre de Louis XV), is the richly ornamented royal cylinder desk which was constructed at the end of Louis XV's reign, and is now again in the Palace of Versailles.
Martin Carlin, Fall-front desk, c. 1775 at Waddesdon Manor. Although Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings in the neoclassical taste, some of them veneered with cut up panels of Chinese lacquer, which he would also have received from the hands of the marchands-merciers.
Auguste Majorelle (Lunéville 1825-Nancy, 1879) was a French art dealer, decorator, ceramicist and cabinet-maker, who established the Atelier d’Art de Decoration in Nancy, France. His son, Louis Majorelle, became one of the earliest modernist cabinet-makers and his grand-son, Jacques Majorelle, was a noted modernist-Orientalist painter.
The system was very important to André Charles Boulle who was granted the prestige of a workshop in 1672, the same year he was named ébéniste, ciseleur, doreur du roi (cabinet maker, chaser, gilder to the King) by Marie-Thérèse d'Autriche (1638–1683), Louis XIV's wife and Queen. The space was too small for a furniture production workshop ...
Thomas Shearer (fl. 1788) [1] was an 18th-century English furniture designer and cabinet-maker. Shearer was a craftsman and the author of most of the plates in The Cabinet Maker's London Book of Prices and Designs of Cabinet Work, issued in 1788 "for the London Society of Cabinet Makers." The majority of these plates were republished separately ...
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They were Cabinet-makers and Upholsterers to His Majesty from 1761 to April 1764, [3] based mainly on the superb quality of Vile's cabinet work and the individuality of his designs. [4] The partners were not known as great innovators, but their standard of craftsmanship was seldom equalled.