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Gumby is a cartoon character and associated media franchise created by Art Clokey. Gumby is a blocky green humanoid made of clay. Gumby stars in two television series, Gumby: The Movie, and other media. Upon his debut in 1953, he immediately became a famous example of stop motion clay animation and an American cultural icon, spawning tributes ...
His mask, Lava Shot, fires blobs of molten metal. Jungle Challenge. Arrow. An assault jet pack which he uses with the Arrow mask which shoots thunderbolts. Coast Patrol. Dolphin. An armed rescue raft which he uses with the Dolphin mask which emits sonic signals. Goliath I. Shroud.
Nationality. British. Morph is a British series of clay stop-motion comedy animations, named after the main character, who is a small terracotta-skinned plasticine man, who speaks an unintelligible language and lives on a tabletop, with his bedroom being a small wooden box. Morph was initially seen interacting with Tony Hart, beginning in 1977 ...
2. 3. "Moon Trip". Art Clokey. Art Clokey. May 1, 1956. (1956-05-01) After discovering a spaceship in the toy shop, Gumby decides to take a trip to the Moon. Upon arrival, the ship is destroyed by a meteorite, leaving Gumby stranded, and soon a group of elongated pyramid-shaped Moon creatures try to attack him.
Claymation, sometimes called clay animation or plasticine animation, is one of many forms of stop-motion animation. Each animated piece, either character or background, is "deformable"—made of a malleable substance, usually plasticine clay. Traditional animation, from cel animation to stop motion, is produced by recording each frame, or still ...
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Masking (comics) American cartoonist Scott McCloud argues that readers are more likely to identify with a simply-drawn "iconic" character than with a realistic-looking one. Masking (or the masking effect) is a visual style used in comics, first described by American cartoonist Scott McCloud in his book Understanding Comics: The Invisible Art.
Art Clokey also made a few highly experimental and visually inventive short clay animation films for adults, including his first student film Gumbasia (produced in 1953 and released in 1955), the visually rich Mandala (1977)—described by Clokey as a metaphor for evolving human consciousness—and the equally bizarre The Clay Peacock (1959), an elaboration on the animated NBC logo of the time.
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