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  2. 8 mm video format - Wikipedia

    en.wikipedia.org/wiki/8_mm_video_format

    Released. 1984. The 8mm video format refers informally to three related videocassette formats. These are the original Video8 (analog recording) format and its improved successor Hi8 (analog video and analog audio but with provision for digital audio), as well as a more recent digital recording format known as Digital8.

  3. Best Super 8 and 8mm Film Converters to Digitize Your ... - AOL

    www.aol.com/news/best-super-8-8mm-film-181531424...

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  4. 8 mm film - Wikipedia

    en.wikipedia.org/wiki/8_mm_film

    The frame size of regular 8 mm is 4.8 mm × 3.5 mm, and 1 meter of film contains 264 pictures. Normally, Double 8 is filmed at 16 or 18 frames per second. Common length film spools allowed filming of about 3 to 4⁄2 minutes at 12, 15, 16, and 18 frames per second. Kodak ceased sales of standard 8 mm film under its own brand in the early 1990s ...

  5. Super 8 film - Wikipedia

    en.wikipedia.org/wiki/Super_8_film

    Super 8 film. Super 8 and 8 mm film formats – magnetic sound stripes are shown in gray. Super 8 mm film is a motion-picture film format released in 1965 [1][2][3] by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format. The film is nominally 8 mm wide, the same as older formatted 8 mm film, but the ...

  6. Motion picture film scanner - Wikipedia

    en.wikipedia.org/wiki/Motion_picture_film_scanner

    A motion picture film scanner is a device used in digital filmmaking to scan original film for storage as high-resolution digital intermediate files. [1] A film scanner scans original film stock: negative or positive print or reversal/IP. Units may scan gauges from 8 mm to 70 mm (8 mm, Super 8, 9.5 mm, 16 mm, Super 16, 35 mm, Super 35, 65 mm ...

  7. Telecine - Wikipedia

    en.wikipedia.org/wiki/Telecine

    For the television network in Brazil, see Rede Telecine. Spirit DataCine 4K with the doors open. Telecine (/ ˈtɛləsɪneɪ / or / ˌtɛləˈsɪneɪ /) is the process of transferring film into video and is performed in a color suite. The term is also used to refer to the equipment used in this post-production process.

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