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  2. Comparison of video codecs - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_video_codecs

    Each compression specification defines various mechanisms by which raw video (in essence, a sequence of full-resolution uncompressed digital images) can be reduced in size, from simple bit compression (like Lempel-Ziv-Welch) to psycho-visual and motion summarization, and how the output is stored as a bit stream. So long as the encoder component ...

  3. Video coding format - Wikipedia

    en.wikipedia.org/wiki/Video_coding_format

    A video coding format [a] (or sometimes video compression format) is a content representation format of digital video content, such as in a data file or bitstream. It typically uses a standardized video compression algorithm, most commonly based on discrete cosine transform (DCT) coding and motion compensation .

  4. Category:Video compression - Wikipedia

    en.wikipedia.org/wiki/Category:Video_compression

    This category dedicated to video compression issues (mainly video codec parts). See also: category:video codecs , video file format , audio file format , and container format Subcategories

  5. Video codec - Wikipedia

    en.wikipedia.org/wiki/Video_codec

    A short video explaining the concept of video codecs. A video codec is software or hardware that compresses and decompresses digital video.In the context of video compression, codec is a portmanteau of encoder and decoder, while a device that only compresses is typically called an encoder, and one that only decompresses is a decoder.

  6. List of longest smartphone telephoto lenses - Wikipedia

    en.wikipedia.org/wiki/List_of_longest_smartphone...

    Xiaomi Mi 11 Ultra with periscope telephoto lens (rectangular opening below the two lenses). This is a list of smartphones with a telephoto lens that offers a focal length (35mm equivalent) of at least 100mm or "4× optical zoom" with an imaging area equivalent to a 1/3.5″ or larger sensor.

  7. Data compression ratio - Wikipedia

    en.wikipedia.org/wiki/Data_compression_ratio

    Lossless compression of digitized data such as video, digitized film, and audio preserves all the information, but it does not generally achieve compression ratio much better than 2:1 because of the intrinsic entropy of the data. Compression algorithms which provide higher ratios either incur very large overheads or work only for specific data ...

  8. Compression artifact - Wikipedia

    en.wikipedia.org/wiki/Compression_artifact

    In video art, one technique used is datamoshing, where two videos are interleaved so intermediate frames are interpolated from two separate sources. Another technique involves simply transcoding from one lossy video format to another, which exploits the difference in how the separate video codecs process motion and color information. [ 19 ]

  9. Context-adaptive variable-length coding - Wikipedia

    en.wikipedia.org/wiki/Context-adaptive_variable...

    Context-adaptive variable-length coding (CAVLC) is a form of entropy coding used in H.264/MPEG-4 AVC video encoding. It is an inherently lossless compression technique, like almost all entropy-coders. In H.264/MPEG-4 AVC, it is used to encode residual, zig-zag order, blocks of transform coefficients.

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