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Johann Friedrich Franz Burgmüller from a lithograph, c.1840. Johann Friedrich Franz Burgmüller, generally known as Friedrich Burgmuller (4 December 1806 – 13 February 1874) was a German pianist and composer [1] during the Romantic period. He is perhaps best known for his three collections of children's etudes (or "teaching pieces") for the ...
An arabesque is a type of music which uses melodies to create the atmosphere of Arabic architecture. [1] The term and themes are borrowed from the art term arabesque, rather than stemming from Arabic music. [2] [3] [4] It is a highly ornamented style.
Friedrich August Burgmüller (3 May 1760 – 21 August 1824) was a German pianist, Kapellmeister and conductor as well as the first municipal music director in Düsseldorf and co-founder of the Lower Rhenish Music Festival. He is the father of the composers Friedrich Burgmüller and Norbert Burgmüller.
The French sense of arabesque: a Savonnerie carpet in the Louis XIV style, c.1685–1697, wool, Metropolitan Museum of Art, New York City Design of a Louis XVI style arabesque, by Étienne de La Vallée Poussin, c.1780–1793, pen and gray and brown ink, brush and colored wash, Metropolitan Museum of Art The "Arabesque Room" in the Catherine ...
August Joseph Norbert Burgmüller (8 February 1810 – 7 May 1836) was a German composer, renowned for his contributions during the nascent stages of the Romantic Era.His oeuvre, albeit cut tragically short due to his untimely drowning at the age of 26, continues to resonate in the annals of classical music.
75 Friedrich Nietzsche Quotes. 1. "To live is to suffer, to survive is to find some meaning in the suffering." ... Related: 101 Buddha Quotes on Love, Life, Happiness and Death. Canva/Parade ...
Genesis 37:34-35 “Then Jacob tore his clothes, put a simple mourning cloth around his waist, and mourned for his son for many days. All of his sons and daughters got up to comfort him, but he ...
Der Tod Jesu (The Death of Jesus) is an oratorio libretto by Karl Wilhelm Ramler. In its setting by Carl Heinrich Graun in 1755, it was the most often performed Passion of the 18th century in Germany. The poem is part of the Empfindsamkeit movement of the 1750s.