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Makossa is a music genre originating in Douala, Littoral Region, Cameroon in the late 20th century. [1] Like much other music of Sub-Saharan Africa , it uses strong electric bass rhythms and prominent brass .
Later in the 1960s, modern makossa developed and became the most popular genre in Cameroon. Makossa is a type of funky dance music, best known outside Africa for Manu Dibango, whose 1972 single "Soul Makossa" was an international hit. Outside of Africa, Dibango and makossa were only briefly popular, but the genre has produced several pan ...
Lotin was born in the city of Douala, in Cameroon. [3] His father was Adolph Lotin Same , a Baptist pastor, who died when Eboa was 3. When he was a young child, his leg was paralyzed due to atrophy resulting from a quinine injection. [4] In 1962, Lotin recorded his first single "Mulema Mwam, Elimba Dikalo".
"Soul Makossa" is a song by Cameroonian saxophonist and songwriter Manu Dibango, released as a single in 1972. It is the most sampled African song in history. [1] The song was originally recorded as the B-side for "Hymne de la 8e Coupe d'Afrique des Nations", a song celebrating the Cameroon national football team's accession to the quarterfinals of the Africa Cup of Nations football tournament ...
He served as the first chairman of the Cameroon Music Corporation, with a high profile in disputes about artists' royalties. Dibango was appointed a UNESCO Artist for Peace in 2004. [19] [20] His song "Reggae Makossa" is featured on the soundtrack to the 2006 video game Scarface: The World Is Yours. In August 2009, he played the closing concert ...
This is a list of musicians and musical groups from Cameroon ... (or Golden Sounds), makossa group This page was last edited on 31 January 2025, at 11:27 (UTC). Text ...
Sam Fan Thomas (born Samuel Thomas Ndonfeng, April 1952, Bafoussam, Cameroon) [1] is a Cameroonian musician associated with Makossa. He began in the late 1960s and had his first hit with "Rikiatou". His "African Typic Collection" was an international hit in 1984 and is perhaps his best known work. [2]
In the mid-1960s, Eboa Lotin performed a style of ambasse bey on harmonica and guitar that was the earliest form of makossa, a style that quickly came to overshadow its predecessor and become Cameroon's most popular form of indigenous music. [4] Ambasse bey was revived to an extent by Cameroonian singer Sallé John. [5]