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"Broken English" is a song recorded by English singer Marianne Faithfull for her seventh studio album Broken English (1979). It was released as the second single from the album on 25 January 1980 by Island Records. Written by Faithfull, Barry Reynolds, Joe Mavety, Steve York and Terry Stannard, the song's lyrical theme revolves around terrorism.
A banjo wouldn't be out of character though. There is a minor key modality to 'Forgetful Heart'. It's like 'Little Maggie' or 'Darling Cory', so there is no reason a banjo shouldn't fit or sound right". [2] Lyrically, the song features the rhetorical device of a first-person narrator "address(ing) his heart as if it had a mind of its own". [3]
Lamorna is a Cornish adaptation of a music hall song titled Pomona or Away down to Pomona which originates from Manchester in the north west of England. ' Albert Square ' is a square in front of Manchester Town Hall , and Pomona Palace and gardens were a site of popular entertainment in Cornbrook, Old Trafford , southwest of the city centre.
The song is played at the end of the film after Jon Batiste's titular symphony is played by an orchestra at Carnegie Hall.It Never Went Away not only brings the music down from a whole orchestra to a piano, but is also intended to summarize the documented events.
"Black Limousine" is one of two songs on Tattoo You credited to Mick Jagger, Keith Richards and Ronnie Wood. "Black Limousine" is a hard blues number (described as "fast mid-tempo blues of no specific nature" [1] by Jagger) which heavily hearkens back to the Rolling Stones' earliest recordings from their ABCKO/London albums.
Like many of the songs on We're Only in It for the Money, "Absolutely Free" criticizes the hippie movement and the Summer of Love. The song's lyrics are a parody of psychedelia, especially the idea of expanding one's consciousness through the use of drugs. To this end, the song frequently mentions the word "discorporate", which is explained by ...
The song's lyrics express a carpe diem sentiment, with the singer noting that the inchworm of the title has a "business-like mind", and is blind to the beauty of the flowers it encounters: Two and two are four Four and four are eight That's all you have on your business-like mind Two and two are four Four and four are eight How can you be so blind?
Orchestra leader Jerry Wald was a rare early aficionado of the song, and Wald's showcasing of "Poinciana" during his 1943 gig at the Hotel New Yorker has been credited with boosting its profile, [4] [5] "Poinciana" being recorded in 1943 by Glenn Miller with his Army Air Force Band, with three 1944 recordings of the song afforded hit status ...