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The End of Watch Call or Last Radio Call is a ceremony in which, after a police officer's death (usually in the line of duty but sometimes from illness), the officers from his or her unit or department gather around a police radio, over which the police dispatcher issues one call to the officer, followed by a silence, then a second call, followed by silence.
[8] [9] Connor was left an orphan at the age of fourteen upon the death of his father. His mother had died in 1903. The Connor Hotel was left to John. [4] [10] He was an alumnus of the University of Southern California, St. Mary's College, and Georgetown University. He was admitted to the Arizona bar in 1928. [2]
Seven Centuries of Poetry in English edited by John Leonard, Oxford University Press, 2003 [25] The Canberra Times 4 June 2005 [1] 80 Great Poems from Chaucer to Now edited by Geoff Page, University of NSW Press, 2006 [26] 100 Australian Poems You Need to Know edited by Jamie Grant, Hardie Grant, 2008 [27]
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The novel is set in a dystopian version of 1988, following a Second Civil War which led to the collapse of the United States' democratic institutions. The National Guard ("nats") and US police force ("pols") reestablished social order through instituting a dictatorship, with a "Director" at the apex, and police marshals and generals as operational commanders in the field.
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
As a judge and Arizona legislator, a cancer survivor and child of the Texas plains, Sandra Day O'Connor was like the pilgrim in the poem she sometimes quoted – forging a new path and building a ...
Last Poems (1922) was the last of the two volumes of poems which A. E. Housman published during his lifetime. Of the 42 poems there, seventeen were given titles, a greater proportion than in his previous collection, A Shropshire Lad (1896). Although it was not quite so popular with composers, the majority of the poems there have been set to music.