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Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics, typically linen, cotton, or silk, by means of carved wooden blocks.
The formalised flower motif is often carved in stone or wood to create decorative ornaments for architecture and furniture, and in metalworking, jewelry design and the applied arts to form a decorative border or at the intersection of two materials. Rosette decorations have been used for formal military awards.
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later on paper.
Fretwork is an interlaced decorative design that is either carved in low relief on a solid background, or cut out with a fretsaw, coping saw, jigsaw or scroll saw.Most fretwork patterns are geometric in design.
Woodcarver at work Wood sculpture made by Alexander Grabovetskiy. Wood carving (or woodcarving) is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object.
The lower parts of the walls of the 16th century dining hall of St John's College, Cambridge are covered with wood panelling in a linenfold design. An English oak chest with complex linenfold panels. Linenfold (or linen fold ) is a simple style of relief carving used to decorate wood panelling with a design "imitating window tracery", [ 1 ...
The Four Horsemen c. 1496–98 by Albrecht Dürer, depicting the Four Horsemen of the Apocalypse. Woodcut is a relief printing technique in printmaking.An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts.
Use of the motif continued in Medieval art, particularly in sculpture and wood carving and in friezes, although usually it is stylized and generalized, so that one doubts that the artists connected it with any plant in particular.