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Pages for logged out editors learn more. ... Print/export Download as PDF ... Pages in category "Ballets based on fairy tales" The following 8 pages are in this ...
Le Baiser de la fée (The Fairy's Kiss) is a neoclassical ballet in one act and four scenes composed by Igor Stravinsky in 1928 and revised in 1950 for George Balanchine and the New York City Ballet. Based on Hans Christian Andersen 's short story Isjomfruen (English: The Ice-Maiden ), the work is an homage to Pyotr Ilyich Tchaikovsky , for the ...
Various dances for a Purcell Opera Society production of The Fairy-Queen: (music by Henry Purcell) (1927) Pas de deux (music by Fritz Kreisler) (1927) Suite de danses (music by Wolfgang Amadeus Mozart) (1927) Argentine Dance (music by Artello) (1927) Nymphs and Shepherds (music by Wolfgang Amadeus Mozart) (1928)
A Fairy Tale or A Magic Tale (French: Un Conte de fées), a ballet fantastique, was a ballet in one act choreographed by Marius Petipa to music by (?) Richter. [1]The ballet was first presented as an examination piece by students of the Imperial Ballet School on April 4/16 (Julian/Gregorian calendar dates), 1891, in the theatre of the Imperial Ballet School, St. Petersburg, Russia.
Bethany the Ballet Fairy: Dance Fairies: 2007: Narinder Dhami 51: Jade the Disco Fairy: Sue Mongredien 52: Rebecca the Rock 'n' Roll Fairy: Narinder Dhami 53: Tasha the Tap Dance Fairy: Sue Mongredien 54: Jessica the Jazz Fairy: Narinder Dhami 55: Saskia the Salsa Fairy (US name: Serena the Salsa Fairy) Sue Mongredien 56: Imogen the Ice Dance ...
A scene from the original production of Corneille's Andromède, a precursor of the féerie. The féerie can trace its origins to the ballet de cour ("court ballet") tradition of the Renaissance, [3] in which such court leaders as Catherine de' Medici and Henry IV of France would commission spectacularly designed ballets based on mythological subjects and fables. [14]
Coppélia (sometimes subtitled: La Fille aux Yeux d'Émail (The Girl with the Enamel Eyes) [1]) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter.
The ballet's focus was on the two main conflicting forces of good (the Lilac Fairy) and evil ; each has a leitmotif representing them, which run through the entire ballet, serving as an important thread to the underlying plot. Act III of the work, however, takes a complete break from the two motifs and instead places focus on the individual ...
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