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The tone of film noir is generally regarded as downbeat; some critics experience it as darker still—"overwhelmingly black", according to Robert Ottoson. [223] Influential critic (and filmmaker) Paul Schrader wrote in a seminal 1972 essay that "film noir is defined by tone", a tone he seems to perceive as "hopeless". [224]
Black Girl (French: La noire de...) is a 1966 French-Senegalese drama film, written and directed by Ousmane Sembène in his directorial debut. [1] It is based on a short story from Sembène's 1962 collection Voltaique, which was in turn inspired by a real life incident.
Title Director Cast Genre Note Cast a Giant Shadow: Melville Shavelson: Kirk Douglas, Senta Berger, Yul Brynner, Frank Sinatra, Angie Dickinson, John Wayne: Action: Warner Bros. ...
Best Producer – Short Film winner in Con il cuore fermo Sicilia: Clodio Cinematografica; Best Short Film winner in Antonio Ligabue, pittore: Raffaele Andreassi; Best Original Story winner in Fists in the Pocket: Marco Bellocchio. Nominees in I Knew Her Well: Ruggero Maccari, Ettore Scola, Antonio Pietrangeli and in Seven Golden Men: Marco Vicario
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Beyond the trenchcoat [clarification needed] and film noir, spy films expanded with worldly settings and hi-tech gadgets, such as the James Bond films Dr. No (1962) or Goldfinger (1964) and Thunderball (1965). This Spy mania extended throughout the world with many countries notably Italy and Spain producing many of their own fantastical spy ...
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
A Boy and a Girl (1966 film) The Boy Cried Murder; Boy, Did I Get a Wrong Number! Breakaway (1966 film) Brick and Mirror; The Brides of Fu Manchu; Brigade antigangs; Brigadoon (1966 film) Brigitte et Brigitte; Broder Gabrielsen; The Bubble (1966 film) Budtameez; La buena vida (1966 film) Buenos Aires, Summer 1912; A Bullet for the General; A ...