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Sackcloth (Hebrew: שַׂק śaq) is a coarsely woven fabric, usually made of goat's hair. The term in English often connotes the biblical usage, where the Hastings' Dictionary of the Bible remarks that haircloth would be more appropriate rendering of the Hebrew meaning.
("But as for me, when they were sick, my clothing was sackcloth" in the King James Bible). The term is translated as hair-cloth in the Douay–Rheims Bible, and as sackcloth in the King James Bible and Book of Common Prayer. Sackcloth can also mean burlap, or is associated as a symbol of mourning, a form of hairshirt. [12]
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.
Due to its coarse texture, it is not commonly used in modern apparel. However, this roughness gave it a use in a religious context for mortification of the flesh, where individuals may wear an abrasive shirt called a cilice or "hair shirt" and in the wearing of "sackcloth" on Ash Wednesday. During the Great Depression in the US, when cloth ...
The description of John the Baptist's clothing is believed by most scholars to be a deliberate echo that of the prophet Elijah, who in 2 Kings 1:8 is said to wear "a garment of hair and with a leather belt around his waist." [3] Jerome also appears to hold this position saying, "His girdle of skin, which Elijah also wore, is the mark of ...
Macbeth and Banquo with the Witches by Henry Fuseli. In the play, the Three Witches represent darkness, chaos, and conflict, while their role is as agents and witnesses. [57] Their presence communicates treason and impending doom. During Shakespeare's day, witches were seen as worse than rebels, "the most notorious traytor and rebell that can ...
Sakkos of Photius, Metropolitan of Moscow, ca. 1417. The bishop wears the sakkos when he vests fully to celebrate the Divine Liturgy, at the Great Doxology at Matins when there is an All-Night Vigil, or on specific other occasions when called for by the rubrics (for instance, at the bringing out of the Epitaphios on Great and Holy Friday, or the cross on the Great Feast of the Exaltation).
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.