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Italy was not immediately influenced by the Rococo, since by the early 18th century rich Italian landowners were still constructing their palaces in the conservative Baroque style, [1] but by the 1710s and 1720s, Italian architecture and interior design became more feminine and lighter. A Rococo room in the Palace of Caserta.
Three rooms on the first floor were restored to the original design from the early nineteenth century. The particular rooms resemble the history of the palace and of the former owners. In the corridor there is a collection of drawings depicting the appearance of the palace from the early 19th century and gallery of the members of the family.
The interior layout of Rococo palaces often incorporated a multi-level design, typically featuring two, three, or four floors, each consisting of two rooms across its width. Rather than employing hallways or corridors for room access, these palaces were designed around one or more grand staircases, in addition to service stairwells and lifts ...
Hermesvilla is a palace in the Lainzer Tiergarten in Vienna, a former hunting area for the Habsburg nobility. Emperor Franz Joseph I gave it to his wife Empress Elisabeth (nicknamed "Sisi"), and he called it the "castle of dreams.“ The name of the villa refers to a statue of Hermes made of white marble that is located in the garden of the villa.
The colourful, neoclassical interior design of this great hall, executed by Giacomo Quarenghi between 1787 and 1795, was lost in the fire of 1837 which gutted much of the palace's interior. Following the fire, Russian architect Vasily Stasov was commissioned to oversee the restoration and rebuilding of the palace. While he retained the ...
The interior design of the ten rooms is still largely intact. The furniture, for the most part designed by Schinkel himself, is remarkable for its simple and cultivated style. The palace's most distinctive room is the tent room fashioned after a Roman Caesar's tent.
Built in the 17th century by one of the greatest Baroque architects, Tylman van Gameren, the building belongs to one of the most renowned of Poland's aristocratic residences and serves as a museum of interior design of palace residences from the 17th to the 19th century, based on the surviving furniture and collections, featuring portraits of ...
The palace is striking in the middle of Brighton, for its unique Indo-Islamic exterior. The fanciful interior design, primarily by Frederick Crace and the little-known decorative painter Robert Jones, was heavily influenced by both Chinese and Indian fashion (with Mughal and Islamic architectural elements).